Threading the Needle

“For thus saith Christ, the savior of Israel: Do not allow your prophets and your diviners who are among you deceive you, and do not listen to the dreams that they dream, for it is a lie that they are prophesying to you, in my name: I did not send them, saith Christ.”
---Jeremiah 29:8-9

Seattle’s Space Needle is located within the city’s uptown district. The six-hundred and five-foot observation tower and restaurant was built to celebrate the 1962 Seattle World’s Fair.
 
The restaurant is situated on a turret and completes a full rotation every forty-five minutes or less. The twelve cylindrical motors that power the turret also emit a fine opium-laced mist into the air.
 
The lead developer of the Space Needle was a Princeton alumnus named Bagley Wright. During his time at Princeton, he was an editor for the Princeton Tiger Magazine: a satire publication with occult ties.
 
Over a hundred-year period starting in 1883, the editors of Princeton Tiger Magazine slowly drew a map leading to the demise of Princeton University. In XXXX, the University’s Board of Trustees began shopping the school’s charter to the highest bidder. That transfer was completed in XXX.
 
Seattle’s real estate developers had similar designs in mind when they met in 1957. Rock & Roll music was starting to come into form, and they designed Seattle’s Queen Anne district as a mecca for hip trends and kitschy arts.
 
Hollywood Boulevard and San Francisco’s Mission District are often mentioned as the utopian destinations for aimless youth of the baby boomer generations, but this is a misnomer. Both were ghettos compared to Seattle’s Queen Anne District.
 
Seattle began to take shape in 1896 when a Cosa Nostra boss named Mario Edwards formed the Bentmark Real Estate Development Company. Edwards used the name David Edgar Skinner to establish the company and changed his name to the same afterward.
 
Edwards acquired strategic properties for Cosa Nostra all throughout the Seattle’s central and western corridors, including the shipyards and the principal lumber company. In 1948, he lured Wright west with an offer of employment. He intended to exploit Wright’s Exeter Academy to further his shipping empire and crown Seattle his. Wright knew of Edwards’s plan and believed he outsmarted him in the end.
 
An English major and draft artist, Wright quickly made friends with Seattle’s socialites. He became a regular at skat clubs and church cotillions throughout northern Washington and convinced the ladies he met to lobby for the 1962 World’s Fair. Wright is known as David Hyde Pierce today. Wright was born Patrick Pierce, and also used the names Patrick Pierce, Licey Dice, Jack Klugmann, and Ted Kruger.
 
The 1962 World’s Fair focused around Seattle’s Space Needle. Culturally, the event included a fine arts expedition, theatre and opera performances by world-renowned performers, a ballet, and a litany of world-wide known jazz orchestras.
 
Outside the grounds of the fair, Pierce, John Graham, and Edwards also contracted a four-hundred and forty-four up and coming Rock & Roll, Rhythm & Blues, and Soul performers to perform throughout the day and into the night at Seattle’s thirty-three scat clubs. Of those four-hundred and forty-four, twenty-four made it big.
 
The scene for this had been set the same year Edwards contacted Hyde Pierce. An archeological student from the University of Indiana unearthed and discovered Walter Raleigh’s Johnstown colonial settlement in North Carolina that year.
 
The settlement included ancient Egyptian artefacts Raleigh had privateered from Spanish galleons. The archeological student was a son of Henry Ford Sr., and he was under the protection of Cosa Nostra. His name is Harrison Wainwright Ford.
 
When Ford unearthed the settlement, he opened twelve of the artefacts and released an evil that had been quarantined since Cleopatra’s Colossus of Rhodes was defeated in 188BC: twelve Egyptian pharaohs came to life.
 
The Cosa Nostra soldiers that had accompanied Ford into North Carolina’s Research Triangle opened fire on the pharaohs with their Thompson machine guns and put them down. Afterward, Ford collected and locked the artefacts and returned to a Cosa Nostra research lab in Annaville, New York.
 
Ford presented his findings to Cosa Nostra’s patriarch Nelson David Rockefeller. At Rockefeller’s request, the artefacts were reopened. More pharaohs emerged and they were tested upon. Cadavers were presented to them in quarantined chambers and the pharaohs occupied them. Over a period of eight days, the cadavers returned to life.
 
The revived souls were shells of their former selves. Their voices were hollowed out and they echoed. They also had no former memory of themselves. At the behest of Nelson David Rockefeller, they were reprogrammed.
 
In total, the twelve artefacts produced one-hundred and forty-four pharaohs. Twenty-three of the pharaohs were destroyed. Twenty-five were used to produce soldiers for Cosa Nostra, twenty-five were used to produce concubines, fifty were used to produce Hollywood actors, eleven were presented to the Vatican, and ten were used to produce singers,
 
The ten singers included five men and five women, and eight of them played sets in Seattle’s scat clubs during the1962 World’s Fair. Jerry Lee Lewis, Roy Orbison, Bobby Darin, Brenda Lee, Patsy Cline, Lesley Gore, and Connie Stevens.
 
The singers who performed at the skat clubs were sirens. As global sophisticates attended the 1962 World’s Fairs galas and expos, their children did what most children do. They distanced themselves from their parents and participated in polar opposite activities from their parents.
 
The music performed at the skat clubs set the stage for a planned counter-revolution in American culture. The Bratva, Cosa Nostra, and the Archdiocese of the The Jesus Christ Church of Later-day Saints had all decided to carpetbag the United States and music and entertainment were both weaponries to achieve that goal.
 
This was nothing new. Enemies of Christendom have relaxed inhibitions and created temptation with song and pleasures of the flesh since time immemorial.
 
​
THE ORIGINS OF SONG
The songs referred to in the Book of Psalms were not songs at all. They were prayers written about or to King David. The entire Book of Psalms is in fact a collection of prayers written by, to, or about King David.
 
Song and music did not exist after the flood and before Christ was crucified, just as they did not exist before the death of Only.
 
Only was the given name of the woman modern day translations of the scriptures refer to as Eve. After Only was murdered by primates in the aftermath of the garden, those same primates used Only’s hair as twine to create string instruments with fallen tree branches. It was a mocking effigy to all she had endured and an abomination to Christ.
 
The flood not only cleansed the earth of the primates that worshipped the angel cast out of heaven by Christ, it also cleansed the earth of the chants, drum beats, and harps those primates birthed.
 
Following the flood, six thousand years of peace and tranquility existed upon the earth until Midas and his daughter Oxbow once again produced drumbeats to satiate the angel cast out of heaven by Christ. Those drumbeats were accompanied by the hoots and hollering of primates the angel cast out of heaven had created to entertain Midas.
Chants did not return until 78AD. And when they did, they were under the auspices of the Roman Catholic Church in the form of sobbing confessions or fears of retribution from a deity.
 
Roman Prefects demanded the chants. They selected men of weak moral character to staff and run Catholic perishes throughout the northern and western regions of the Roman Empire and the originators of the Church structured the organization in a loose hierarchy much like the Roman Legionnaire.
 
In 431AD hymns grew from the chants in a prison monastery on the island of Majorca as a sadistic form of torture. Former eunuchs were exiled there to produce Bibles for the Church and scripts for masses throughout the perishes.
 
Some were forced into corrals and demanded to read offered blessings in unison. The prison’s bishops would arbitrarily change the gate of the hymnals and apply pressure to the genitals of the corralled monks until they one of them broke down in tears.
 
In 438AD the process was carried out to perishes throughout Germania and France. Catholic Archbishops would make surprise visits to town perishes and corral clergy to expose clergymen who had sinned in their vows. Those that had were either executed in the town squares or compromised into sinning for the visiting Archbishops.
 
Song as we know it today did not come about until 1114AD. Six years after Europe’s Black Pestilence began, an eleven-year-old girl named Bethany broke out in rage at her father for sending her all over the isle of Britain and Scandanavia to collect property from villagers whom had fallen behind in their tithes.
 
Bethany’s father was a European moneylender from Brussels. He also posed as a priest. The Book of Joel is a collection of her songs. She scribbled them down on notepads to keep from crying.
 
The title of the collection is a Swedish acronym. After King David’s death, Spaniards were the first to resettle Swiss Scandinavia after Richard and Ricard McCoal returned home. Both abandoned King David before he died in battle in the jungles near Parthia, Parthagenia in 10000BC.
 
Richard McCoal is known as Malcomb Forbes Sr. today. His brother Ricard murdered him in his sleep in 898BC after the House of Saxberg convinced Ricard that Richard had murdered his wife.
 
The book’s acronym refers to a nomadic warrior from Korea named Just Joe. Bethany referred to Joe as Joe the Just. Bethany is known as Bethany Houston Carmichael today.
 
At the time Bethany scribbled her songs, her father was known as Batholameau Wycliffe. Bethany penned the first English translation of the Bible in 1119AD. Her father assumed the name John and took credit for the work. He later formed a publishing house known as Harper Publishing and sold scripture to England’s peasantry on credit even though most were illiterate.
 
Bartholameau partnered with a man named Richard Dryfist who promised him he would teach them to read. That partnership was orchestrated by Bartholameau, Forbes Sr., and the angel cast out of heaven by Christ.
 
 
THE ORIGINS OF PAID PERFORMANCES
The Black Pestilence decimated Europe and the Illuminati used made sweeping changes to government and society through edicts issued by the Vatican.
 
Catholic perishes were especially hard hit by the plague. Europe’s castles were staffed by Benedictine monks and they ate communally. The plague itself was known as consumption. The plague itself and the ice age that followed were both created through the Illuminati and the angel cast out of heaven by Christ.
 
Jesuit Centurions traveled in pairs and spread consumption. They went from village to village and preyed on benevolent peasantry. Peasants that opened their doors to them were judged arbitrarily by the laws Christ outlined for Moses.
 
If they ate communally within the villages, they would oftentimes murder peasants within the towns square who had assisted them and announce their crimes as others looked on. In other cases they would compromise peasants. In both cases they attempted to subjugate the villagers and turn them from Christ.
 
Consumption and the activities of the Catholic Archdiocese orphaned the sons of many peasants. Within the Holy Roman Empire, Frederick the Great had begun construction of cathedrals within the Dutchies of his empire after Augustus Caesar and the Illuminati handed him the throne. They were completed by 1398AD.
 
Upon the assistance of Malcomb Forbes Jr. and Sr. a Catholic archbishop named Steven Gutenberg expanded Catholic corrals. He was the Archbishop of Berlin’s Cathedral the Einsweiss. He began bringing sons true to Christ into the corral that same year. He named the pulpit the quier.
 
Gutenberg sodomized the boys and killed them. He proceeded to do the same for the next eighty-eight years. In 1496, Forbes Jr. claimed him and devoured him and made him his own. He is known as Stephen Gutenberg today.
 
Gutenberg bragged about his quier and in 1431 he was approached by Louis Dryfuss in a tavern near Constantinople. Dryfus offered to help Gutenberg with his quiers and introduced him to string instruments. He had learned of them during his days as a eunich for the empress Cleopatra.
 
In 1432 Dryfus took over Gutenberg’s quier in Munich and made them much more perverse.
 
Dryfus added twenty-two string instruments to Gutenberg’s quier. Twenty-one women accompanied Dryfus into the corral. The twenty-second seat was given to a boy Forbes knew he could corrupt. Dryfus proceeded to create a symphony within the corral.
 
The twenty-one women were held outside the corral and the rest were tortured. The women who delighted in the torture he would corrupt and the women that broomed he would add to the corral. This went on until 1798.
 
In 1654 a Pope by the name of Giovani Batista demanded Dryfus begin adding girls to the corral. Batista had heard of the sodomization and murder of peasantry sons in the cathedrals throughout Europe through Gutenberg and had been coaxed to do the same with the peasantry’s vestal virgins by Forbes and the Illuminati.
 
One hundred and ten years earlier, Forbes Jr. and Forbes Sr. had financed a Scottish gypsy troupe of Norwegian heritage after meeting an African bard. The bard introduced himself as William.
 
William and Forbes struck up a friendship and William told embellished his tales. They gave him the name Shakespeare and it stuck. He wrote down one of his tales and presented it to Forbes. That tale was Othello.
 
Afterward, Forbes recounted tales of their own. Those tales were subdued. They became the entire body of Shakespeare’s works with the exception of Romeo and Juliet. That tale was contrived by Shakespeare when he was high on myrth. He was known as Morgan Freeman Jr. and he dissipated into dust last October within the cavern container underneath the city of Beijing in Tiananmen Square.
 
Shakespeare’s theatre troupe did not contain women. All of the roles were performed by men and most of the men in the troupe were boys Dryfus, Gutenberg, and Forbes had sodimized through the Einswiss Cathedral.
 
In 1798 Russia’s Peter the Great began paying vestal virgins to perform in the gold-domed basilica in Saint Petersburg as a tribute to Frederick the Great. One of those maidens was named Melinda.
 
After a staged rehearsal four boys denied entry into the Einswiss Cathedral proceeded rape and murder Melinda Ann on behalf of a financeer known as Paul Rothchild. Rothchild was Bartholameu Wycliff and before that he was known as Rho, Pin, and Roaq. His original name was Pee.
 
The name of the boy who murdered Melinda was Gregori Lenninovich. He lusted after Melinda. Melinda was reborn to her father in 1968. She is known as Melinda Ann Gates today. Melinda’s father’s name was Lee.
 
Pierce, Graham, and a man named Kevin Burden were the other three rapists.
 
 
THE SEATTLE ROUNDUP
Cosa Nostra’s patriarchy was handed over in 1968, but only on the surface. Nelson David Rockefeller and his father John David Rockefeller set John David’s son up to become the family’s scapegoat for four-hundred and ninety-nine years of murder, torture, rape, and sodomy. John David changed sexes and became a female adult film star. She is known as Shay Fox.
 
Nelson David Rockefeller never really died. He made a deal with Pope Benedict XI and the angel cast out of heaven by Christ to return from Hell as the brother of a young boy he himself capped in 1908.
 
The boy’s name was Seth and the name Nelson David took was Alec Baldwin. Baldwin dissipated into dust in November of this year and with him Nelson David Rockefeller. Shay Fox is still alive somewhere in the South Pacific.
 
Since 1991 the Freemasonry, Cosa Nostra, and the Bratva have used the opium pipeline Michael Douglas Enterprises created from the salt mines underneath Tokyo in 1954 for the Trump Foundation to call entertainers, singers, and prostitutes they whored back to them.
 
The estates of Kirk Douglas, Michael Douglas, and Kurt Russell Jr. and Sr. have done much the same with prostitutes through Richard Dreyfus, Victor Davis Hansen, the Archdiocese of the The Jesus Christ Church of Later-day Saints and those anointed with the Mormon Church Tabernacle.
 
Kirk Douglas, Michael Douglas, Kurt Russell Jr., Kurt Russell Sr., Jack Moinahan, Jason Bateman, Michael Cane, and the Forbes Family Foundation entered into an agreement in 1978 to corrupt the sons of Israel through television. That agreement was extended to film in 1988. In both instances, their aim was to steer men and women toward homosexuality and destroy Christendom. Michael Douglas Enterprises, the Forbes Family Foundation, and the British Royal Family had done much the same after America’s successful moon launch in 1968.

Seattle’s Queen Anne district is largely vacant and this is by design. Through DC current dead souls that subjugated willingly surrendered themselves to the angel cast out of heaven by Christ are reanimated at night for the amusement of those who made the agreement and those who have subjugated themselves to them.
 
Cosa Nostra, Moinahan, Michael Douglas Enterprises, Archdiocese of the The Jesus Christ Church of Later-day Saints have built an army of whores to assist them with their corruption. Jehovah’s Witnesses, and wizards and sorceresses within Archdiocese’ Ku Klux Clan, their Ku Clux Klan, and their Ku Klux Clans forsook Christ for pharmaceutical mescalcetaline. It is better known as crystal meth and Vicodin today.
 
The army of whores listen to the harp and those that facilitate them a bag of haggis. Neither will succeed. On November 28th of 2019, Christ sounded the Clarion Call. He returns and judgement shall be rendered upon those who harmed the sons of Israel. Christ returnith.

And they sung as a new song in the new life eternal before the seat of Christ, and before the forty beasts, and the children of Christ. And no man might say the song, but they and the hundred thousand and four and forty thousand that Christ redeemed from the earth.”
---Revelations 14:1-3
​
 
 
CHRIST TRANSLATES FROM BEAST TO YEAST

Author: Erik Gagnon - Managing Partner, Chi Rho Consulting