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It's Time to Begin Singing Acapella

2/3/2023

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”She bestowed her obscene practices on them, all of whom were the choicest men of Assyria; and with all she lusted after, with all their idols she defiled herself.”
---Ezekiel 23:7
On Thanksgiving Day 2019 Christ sounded the Clarion Call. It was a signal of what is to come.
 
Christ warned of the dangers of friends, family, and fraternity throughout his journeys with the Apostles and their disciples. Nowhere are the pitfalls of friend’s family’s, and fraternity’s pitfalls of envy, spite, and jealously more evident than in the world of music and entertainment.
 
Except for altar boys male vocalists have always performed for one of two reasons: either they lust for attention or because others lust for their downfall.
 
Since the cabaret era of the 1880’s male troubadours have take to the stage to woo naïve and willing women into their bedrooms for fornication and infidelity. In 1893 recordings of popular troubadours were distributed to the public through vinal sound recordings and the featured troubadours were idolized.
 
In 1908 an Arkansas radio station owned and controlled by a plantation owner named Rickard Grauss began mass marketing blues artists to the wives of freemen in Arkansas, Mississippi, Alabama, and Tennessee from his WYN radio tower in Biloxi, Mississippi.
 
Grauss pimped out the recording artists under his control to widowed matrons whose husbands, brothers, and sons had been lynched by the Ku Klux Klan on behalf of the The Jesus Christ Church of Later-day Saints Archdiocese and Cosa Nostra underbosses. The artists included including Robert Wood Johnson, Muddy Waters, and Benjamin Edgar King. The ties between music and organized crime only grew from there.
 
After the Great Crash of 1929 unemployed businessmen with musical talent began singing in speakeasies and on Vaudeville. On Vaudeville they often dressed in drag and performed cabarets to amuse gangsters who held markers on their debt. During the Second World War top performers were rewarded with showcase clubs of their own or shuffled off to Hollywood. Desi Arnaz and Bob Hope were two such performers.
 
During that time male performers bandied up much like prostitutes controlled by the bratva and like Cosa Nostra underbosses. The lead performer took the role of the pimp or cappo and the subordinates fell in line. Passive aggressive feuding resulted and show business itself became much like a primate enclave.
 
Women were brought into recording studios in 1896. Unlike the troubadours they were originally brought in as slaves. A Fench prostitute named Edith Piaf was the first. Piaf’s husband had been murdered by a Cannanite guildsman named James Woodbaum  over debts owed, and Woodbaum proceeded to drug, rape, and enslave Piaf afterward.
 
Piaf performed on stage and in cabarets for eighty-seven and remained in bondage to Woodbaum the entire time. Woodbaum emigrated to America in 1903 largely off the wealth of his prostitution rings and made a name for himself in New York politics as Anthony Rizzo. He was most recently known as James Woods before he dissipated into dust earlier this month.
 
More woman enslaved to crime figures entered music in Piaf’s wake. They included Billie Holliday and Loretta Young. Those women were supplemented with whores like Annette Hanshaw, Blanche Calloway, and Carol Channing, Madeline Kahn who performed for much the same reason as male troubadours.
 
Plenty of backup singers who whored themselves out for Germany’s Third Reich followed in their wake. They included the likes of Terri Garr, Betty White, and Doris Day.
 
This still goes on today but in a much darker fashion. In 1958 Motown corporatized music under the Mercury and Capitol Records labels, and the Archdiocese of the The Jesus Christ Church of Later-day Saints took a more active role in the industry.
 
The Masonic Order was brought into play in 1963 and the sexualization of music compounded. So too did drug use. This included Christian Music.
 
In 1952 Lawton Bloom purchased Nashville’s Ford Theatre chain and renamed it the Grand Ole Oprey. Singers like June Carter Williams, Loretta Lynn, , Tammy Wynette, and Lynda Rondstat paraded through the Oprey and sung gospel songs with up-tempo jugbands and drum accompaniments.
 
Female Oprey singers dolled themselves up in makeup and tight-fitting summer dresses and sassed their way on stage during their sets. Their performances were orchestrated to corrupt men in the audiences and create envy amongst the women. Churches split amidst the jealousy.
 
In 1971 Capitol Records and Sony Records both launched Christian music labels. Capitol’s was given the label Bellweather Records and Sony created two: Trinity and Tribeca.
Up until 1996 every song recorded under a Christian label was recorded to fit the agendas of the The Jesus Christ Church of Later-day Saints, the Masonic Order’s, and the Forbes Family Foundaion’s agendas. This changed after Natalie Merchant broke free of an exploitative band of gypsies that had held her captive for more than nine millennia.
 
That band of gypsies was controlled by Bratva king captain named Tim Roth who enslaved women all throughout Europe on behalf of Mortimer McCoo, the House of York, the House of Lazenby, and the House of June for amusement and for sport.
 
In 1994 Merchant agreed to forsake her soul to McCoo to be free of him for the duration of her existence. Merchant began to write her and record her own music and tell her story through her prose. She published her first solo album in 1995.
 
Merchant had lost her child and her love to four crystal prospectors employed by McCoo’s father Abraham Coal in 742AD. The prospectors took Merchant captive and Coal told them to release Merchant and return her home. They sold Merchant to McCoo instead. Merchant was known as Ophelia at the time.
 
In 1953 McCoo sold Merchant’s soul to Rome’s Emperor Nero after Nero disclosed to McCoo that he lusted to come back a woman. Nero dissipated into dust in November of 2022 and McCoo dissipated into dust last month. Christ never left Ophelia’s side.
 
Nero took the name Joaquin Phoenix in 1948 when Kurt Russell Sr. found Nero wandering in the Santa Anna desert. Bess Throckmorton had given Phoenix a flood of Noah’s son’s Atom’s blood after Brutus murdered Atom. Throckmorton had promised Nero Atom’s soul in an afterlife. Throckmorton and her twenty-eight whores also dissipated into dust.
 
The following year three Second Sons of Israel were inspired by Merchant’s album Ophelia and recorded an album of their own. They called themselves Point of Grace and their song Love Like No Other finish at number seven on the Billboard’s 1986 Christian Song Chart.
 
Point of Grace’s arrival changed Christian music and not for the better. Nashville record executives took notice of the trio’s aura and poured millions of dollars into the genre attempting to make pop stars new artists. Cookie cutter lyrics were circulated for many artists and Christ was mostly abandoned and replaced with esoteric titles like King, God, and Lord.
 
Trade and groupie publications began to cover Christian recording artists much. Like Rolling Stone and Teen Beat had with rock musicians during the 1970’s and 1980’s Artist’s album covers and credit pages were dressed up for sex appeal and Christian radio stations repeated the Payola scams Motown had perpetrated during the late 1950’s and early and mid 1960’s.
 
These activities still occur into the present day, and the underbelly of Christian music much resembles the cabarets of late Victorian-era France and the speakeasies of the depression era.
 
For Christian male recording artists little has changed since the days of the first troubadours, and most male performers still see themselves as such.
 
Male artists that provide instrumentals or backup vocals for Second Sons of Israel lust after those second sons and the glory, fortune, and fame their spotlight positions afford them.
 
The Archdiocese of the The Jesus Christ Church of Later-day Saints has also tried to enslave many. Of these Second Sons of Israel. Kari Jobe is a notable example.
 
In 1998 Bob Seger leached on to Jobe after witnessing her perform at a Vineyard Church near Cincinnati Ohio. Jobe’s supporting vocalist Jason Ingram was Alto Reed and Seger postured himself as keyboard player Brian Brown. Both Reed and Seger were three of the original thirteen marauders Joseph Smith Sr., Joseph Smith Jr., and Brigham Young employed when they murdered and tortured four-hundred ninety-two plainsmen during their trek across the American Southwest between 1854 and 1862.
 
In 1858 Seger, Reed, Smith Brigham Young, and a marauder named Mikael Lenova captured Kit Carson in present day Phoenix, buried Carson up to his neck in sand, poured molasses over Carson’s head and watched as ants, scorpions, rodents and vultures devoured Carson alive. Lenova is known as Senator Mike Lee today.
 
Afterward Seger, Reed, Lenova, and Lenova’s wife Teressa commandeered the land and established the O.K. Coral on the site. They distilled the first bottle of tequilla from the Agave cactus that grew from Carson’s decaying carcass. They also encapsulated Carson’s soul in the liquor by bottling the Cicada that had grown from Carson’s eye socket.
 
Lenova and Lenova’s wife Gavin begat a daughter through Teressa and they named her Sunni. Lenova an Sunni begat twins named Gavin and Jennifer in 1968. Lenova gave the first born the surname Wadinski and the second Gavin. Wadinski was born with a female's anatomy.
 
Wadinski matured quickly and took a job on with a phone sex company called  1800Casuals, The company was owned by her father and the service catered to professional male musicians.

The song 8675309/Jenny was performed by Lenovna and Bob Seger when they were high on Mescaline and intaking helium mixed with ether. Gavin performed the percussions. This became a long standing joke within Hollywood's Burbank community told to Ron Howard to keep him at bay.

Lorn Michaels catered to Ron Howard. Michaels was a former KGB agent and Arthur Anderson's last paid partner. Michaels filled every Saturday Night Live musical guest list at Howard's demand.


Kit Kenneth Carson was freed of his torture and suffering and returned to Christ last September when Seger, Reed, Smith, and Brigham Young dissipated into dust. Young was born Mortimer Romnevich and last known as Mitt Romney. Michaels dissipated into dust in December of 2022.
“And I saw, and lo! Christ stood within the angels, and with him a hundred thousand and four and forty thousand having his name, and the name of his Father written within their minds.
And I heard a voice from heaven, as the voice of many waters, and as the voice of a great thunder; and the voice which I heard, was as of many harpers harping in their harps.
And they sung as a new song in the new life eternal before the seat of Christ, and before the forty beasts, and the children of Christ. And no man might say the song, but they and the hundred thousand and four and forty thousand that Christ redeemed from the earth.”
---Revelations 14:1-3


CHRIST RETURNITH
CHRIST TRANSLATES FROM BEAST TO YEAST

Author: Erik Gagnon - Managing Partner, Chi Rho Consulting
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