Category: Entertainment Industry

The Persecution Christ Spoke Of

5/2/2024

I spent 34 years in clandestine operations with British Intelligence. I was recruited out of high school and swore an oath of loyalty to Christ. During those 34 years, I infiltrated organized crime syndicates on behalf of the British Royal Family and conducted several combat missions on their behalf.

In 2012, I surrendered my life to Christ and was thrown to the wind by my former employers. I spent the next seven years infiltrating the CIA and was targeted for assassination 7 times. The first attempt occurred in April of 2013 and the last in January of 2024. My heart stopped beating during two of those attempts and both times Christ intervened.

In June of 2007, my CIA profile was leaked to Paramount Pictures Entertainment executives by Karl Rove. A college roommate of mine manufactured a semi-fictional biography that accompany the file. His father was an advisor to Ronald Reagan and later served as Reagan's Transportation Secretary. That roommate was also a founding member of the Hollywood venture capital firm known as Slated PLC.

Eleven Hollywood producers including Roland Emerich, J.J. Abrams, Guy Ritchie, Steven Spielberg, Jerry Bruckheimer, Harvey Weinstein, Paul Haggis, Judd Aptow, Robert Schaye, Ethan Cohen, and Robert Zemeckis bid on the dossier. Each was told to "write a script and cast a crew." All eleven in fact did.

Eleven Hollywood actors signed on to play my character including Ryan Gosling, Brad Pitt, Jason Bateman, Bradley Cooper, Justin Timberlake, Cillian Murphy, Ben Stiller, Steve Harvey, Zac Efron, Dave Franco, and Ryan Reynolds. More than 44 actresses signed on to play women I dated.

Seven of the 11 producers developed franchises around my character. Including J.J. Abrams, Steven Speilberg, Jerry Bruckheimer, Paul Haggis, Judd Aptow, Robert Schaye, Ethan Cohen. Jerry Bruckheimer and Judd Aptow's franchises included television series.

Aptow's television franchises include an animated series and two reality television shows. Aptow's arch for the first reality show includes my appearance as a "guru of mixed martial arts and hand to hand combat." That show's premise has me playing a clown to aspiring stunt men.

The second reality show is tentatively titled "The Bachelor Battle Star". The arch of the show has me dating 7 Hollywood starlets and proposing to one of those starlets during the eleventh episode. A reunion show is also planned.

Bruckheimer reached out to relatives of mine to develop archs for his television series. Most agreed to do provide archs in exchange for character inclusion. Most have even agreed to provide storylines. Eleven signed contracts with Bruckheimer.

Bruckheimer did the same with more than 20 classmates of mine from grammar and secondary school. They too signed contracts and 20 agreed to provide storylines.

Slated reached out to another relative of mine. She put them in contact with 7 women whom I dated. She traced each of those 7 women through illegal means. That relative once ran an escort service out of the Watergate Complex during Obama's first term as President. She compromised a handful of politicians to release my CIA profile including Senators Tom Cotton of Arkansas, John Kennedy of Louisiana, and Former Colorado Congressman Corey Gardner.

Each of 7 of those women supplied information to Slated in exchange for financial considerations and character inclusion. That information was passed on to each of the 11 Hollywood producers and their scriptwriters.

One relative that refused was a Hollywood actress. She was pressured to supply information by one of the actors who signed on to play my character. She refused and her decision derailed her career. That same actor and 3 others that signed on to play my character stole over $11MM USD from her bank accounts.

Two other relatives of mine who refused have been harassed with phone calls for more than nine months. One of those other relatives happens to be a Hollywood actress and the other woman her mother. The personal assistant to the Hollywood actress has tapped her phone and notifies Starbucks employees before she arrives at their establishment for coffee. J.J. Abrams has cast her as my mother and Paramount Pictures pays her personal assistant to monitor her movements.

The roommate that wrote the biography lied in his transcript and implied I had betrayed my oath of service. He noted that I had "become a double agent for the Central Intelligence Agency." He included at least two other lies, claiming I was bisexual and claiming that I was "brutalized by my mother."

The 11 producers that purchased my CIA profile have aggressively reached out. Each of the 11 rented row houses in the community where I reside. Spielberg, Abrams, Aptow, and Zemeckis have private units and the other 7 share three other units. Those three row houses are rented under a lease that traces back to Columbia's Escobar cartel. Special agents for the FBI arranged the lease.

Each of the 7 row house units has been equipped with sonar devices capable of receiving conversations from within my residence. Speilberg, Abrams, Aptow, and Zemeckis's units are equipped with broadband decryption devices. All 11 producers have begun to quote words I have written. Each of those four producers have flown Hollywood actors to nearby commercial airports and had them stay for a week or more within the community where I reside.

One of the actors that signed on to play my character rented a unit within the community where I reside three years ago. He sublets that row house to actors, actresses, runway models, celebrities, and fashion executives. That actor has designs on creating a men's fashion line and plans on using me as his spokesperson. He in fact trademarked the phrase "Double 0" for that fashion line with the United States Patent Office.

Financial backers of this project have passively reached out. Like the Hollywood producers that bid on my CIA profile and believed the lies they read, they seem to believe that I or any man who has been redeemed by Christ would wish to appear in film or that I would betray my oath of service.

Some of those backers have designs on having me enter politics, reenter government service, or enter the clergy. They see to believe I have interest in subjugating myself to No Ah or would be willing to forsake Christ's statues or His ordinances.

"Then the word of the Lord came to me, saying, 'And you, son of man, will you judge, will you judge the bloody city? Then inform her of all her abominations. And you shall say, "This is what the Lord says: 'A city shedding blood in her midst, so that her time is coming; and a city that makes idols, contrary to her own good, for defilement! You have become guilty by the blood which you have shed, and you have become defiled by your idols which you have made. So you have brought your days closer and have come to your years; therefore I have made you a disgrace to the nations, and an object of mocking to all the lands. Those who are near and those who are far from you will make fun of you, you of ill repute, full of turmoil.

'Behold, the rulers of Israel, each according to his power, have been among you for the purpose of shedding blood. They have treated father and mother with contempt among you. They have oppressed the stranger in your midst; they have oppressed the orphan and the widow among you. You have despised My holy things and profaned My Sabbaths. Slanderous men have been among you for the purpose of shedding blood, and among you they have eaten at the mountain shrines. In your midst they have committed outrageous sin. Among you they have uncovered their fathers’ nakedness; among you they have abused her who was unclean in her menstruation. And one has committed abomination with his neighbor’s wife, another has outrageously defiled his daughter-in-law, and another among you has sexually abused his sister, his father’s daughter. Among you they have taken bribes to shed blood; you have taken interest, you have injured your neighbors by oppression, and you have forgotten Me,' declares the Lord.

'Behold, then, I strike with My hand your profit which you have made and the bloodshed which is among you. Can your heart endure, or can your hands be strong for the days that I will deal with you? I, the Lord, have spoken and will act. And I will scatter you among the nations and disperse you among the lands, and I will eliminate your uncleanness from you. Then you will defile yourself in the sight of the nations, and you will know that I am the Lord.'"'"
---Ezekiel 22:1-16

Author: Erik Gagnon - Chi Rho Consulting

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Pornography's Roots Trace To Advertising

4/26/2024

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"Moreover, the word of the Lord came to me, saying, “And you, son of man, this is what the Christ says to the land of Israel: ‘An end! The end is coming on the four corners of the land. Now the end is upon you, for I will send My anger against you; I will judge you according to your ways and bring all your abominations upon you. And My eye will have no pity on you, nor will I spare you, but I will bring your ways upon you, and your abominations will be among you; then you will know that I am the Lord!’"
---Ezekiel 7:1-4

The roots of modern forms of pornography trace to the advertising industry. Periodicals first appeared during the 15th Century and were sold as "graphic entertainment." They were originally French publications and were printed in Amsterdam. The Holy See created those publications to amuse Francis the 5th and his courtisans.

Vernon Harp's Harpers was the most widely read publication. Harpers was first published month and French aristocrats enjoyed the salacious articles and scandalous chalk drawings the publication featured.

Harp was a French Jesuit Monk and his publications were funded by the Holy See. In addition to Harpers, Harp's monastery published folk rhymes and nursery tales. The folk rhymes were used in theaters throughout Europe.

Pope Benedict supplied vestal virgins Harp's monastery for Harp's amusement through the Knights Templar. Those maidens belonged to their fathers, most of whom fought in the Crusades. They borrowed against the Francis the 5th to supply their armies.

Under threat of torture, Harp sketched drawings of the maidens in the nude. Harp signed the names of their fathers to the drawings.

The stories Harp supplied were dictated. Jesuit monks in his stead penned the stories. Each story Harp supplied were unholy thoughts about what he wished to do to the maidens he held captive. Harp held the maidens for ransom on behalf of the Knights Templar. The original twenty Knights Templar collected the ransoms for the Holy See.

During the later part of the 15th Century, Harp licensed the name Harpers and the publication's format to a Benedictine monastery in Britain run by Nathan Hale. The articles were reformed, but chalk drawings of vestal virgins with the maidens father's name signed to the drawings remained.

The vestal virgins held hostage in Britain were originally Irish maidens. After the Holy League was formed, the Knight Templar known as Reb began to abduct Scottish lords.

A lord of Welsh named Chrysanthemum was the first Scottish lord held for ransom. After a chalk drawing was created of her, she broke free and forgave Hale his transgression. Hale was remanded to British authorities and later traveled to the New World.

In 1611AD, Hale purchased the publishing rights to Harpers from his former monastery and opened a publishing house. That house was established near Chelsea Park in the city of New Amsterdam (New York's Manhattan). In June of that year, Hale published Chrysanthemum's chalk drawing on the front cover of Harper's Monthly's first issue. Hale published nude Chalk drawings of vestal virgins held captive in within the Americas every month for the next fifty years.

New Amsterdam money lenders referred to Harper's Monthly as the broad. The word broad is a slander used by misogynists to describe attractive women they covet. In 1848, the mayor of New York's 5th District Walter McGinn named the avenue where Harper's Monthly was published Broad Street. That avenue was later renamed Broadway Avenue after the fire of 1863.

BROADWAY ADVERTISING

During the 17th and 18th Centuries, the avenue north of Chelsea Park became known as Publishing Row. That avenue was home to eleven different publishing houses, seven saloons, four gambling halls, and one brothel. Harpers Publishing and six of the other eleven publishing houses are still located in the same locations. All seven publishing houses have been restructured multiple times and each has been renamed.

Each of the eleven publishing houses published newspapers. Harper Publishing's New York Free Press was the first. All eleven of those publishing houses advertised the saloons, gambling halls, and brothel near Chelsea Park.
In June of 1753, Harpers Monthly published a bill on the back cover of its periodical offering Basset Hound coats. The coats were made of seal skin taken from seal pups. The name of the coats derived from the fact that the pups were hunted with Basset Hounds.

A Wall Street brokerage firm by the name of Carnegie Mellon Chase and Sons financed the hunts, manufactured the coats, and financed Harpers Monthly. Seals once mated on the shore of the cost in the state of Maine. The trappers Mellon Chase and Sons financed hunted that mating ground into extinction.

The bill on the back of Harpers Monthly included a slogan that read "Feels so good. Even for your fur." It also included a chalk drawing of a semi-nude woman dressed in a Basset Hound coat. Carnegie Mellon Chase and Sons received over 10,000 orders for those coats during the first month of publication.

By the end of that year, each of Publishers Row's eleven publishing houses eleven periodicals included salacious bill advertisements on their back covers. The following January, the eleven Wall Street Banks that managed the publishing houses began to solicit customers to advertise within their periodicals. Their customers shown a selection of salacious drawings, and the bank's partners helped them create mostly obscene slogans to accompany the drawings.

By 1814, all eleven periodicals included at least eleven salacious advertisements within their publications. The Wall Street Banks that managed the publishing houses began to push these periodicals into retail outlets along the Eastern seaboard and throughout Europe and more periodicals were added by the publishing houses. This continued until June of 1863.

On June 30th of that year, a riot broke out near Chelsea Park. Fires were started throughout Manhattan and Publishing Row burned down. The riots and fires lasted for eleven days and the Union Army was called in. Four of the Wall Street banks that formed Publishing Row filed for bankruptcy and never returned.

CATALOG PUBLISHING AND EXHIBITION PHOTOS

The seven Wall Street banks that did not file for bankruptcy rebuilt their publishing houses on Broadway Avenue following the War Between the States. Government loans paid for the rebuild after the Wall Street Banker's Union was formed.

The Wall Street Bankers Union was comprised of eleven families of Germanic decent, all of whom emigrated to New Amsterdam from Dutch Holland during the Protestant Reformation. All seven families were Catholic and all seven had the backing of the Holy See.

The seven publishing houses re-established after the Civil War included Harper Collins, Ballentine Books, Random House Publishing, Thomas Row Publishing (T Row), The Rand Publishing Corporation, and Crown Publishing. Each resumed publishing periodicals and newspapers in 1873 and each began to publish catalogs.

To stifle competition, the Wall Street Bankers Union bribed politicians and judges throughout the Eastern seaboard. This included 7 Supreme Court Justices 44 Senators, and 110 U.S. Congressmen. In 1876, the Wall Street Bankers Union formed the North American Publishers Association. The books of this trade guild were run through Western Union.

The Wall Street Bankers Union and the British Bankers Union begat the mass distribution of pornography through the North American Publishers Association. During the Napoleonic Wars, Venetian bankers had employed Gypsy caravans to roam the countryside and distribute pornographic materials they themselves had created to Coalition forces. The Holy See commissioned these caravans, and also used them during Napoleon's first expedition in Tunisia.

During the wars, pornographic materials distributed by these Gypsy caravans made their way into manufacturing hubs and eventually into canteens throughout France and Dutch Holland. During the 1870s, the Holy See commissioned canteens in Austin Texas, San Francisco California, and throughout the Eastern seaboard. To accomodate their promotion, the North American Publishers Association expanded operations onto Madison Avenue. This gave rise to playbills.

Traditionally, bill notices were used by brothels and taverns to promote sales. They were glued or stapled to lamp posts throughout poor and working class neighborhoods and used salacious headlines to garner attention.

Vaudeville theaters produced playbills en masse. A Germanic printer named Sebastian Ogilvy conceived of the concept. He had his daughter Vanessa create salacious drawings of Vaudeville performers and presented those drawings with obscene headlines to Carnegie Mellon and Sons Ltd. Andrew Carnegie approved of the drawings and agreed to finance Ogilvy's print shop.

In June of 1881, Ogilvy's daughter began to take photos of partially nude performers. Ogilvy created Vaudeville playbills featuring those photos as a centerpiece. Clara Bow and Mae West were two of the first performers featured on those playbills. Bankers at J.P. Morgan and Company took notice of those playbills and ordered 100,000 of them. They sent those playbills West to by rail to Dodge City, Kansas and adjusted the headline to read: "Coming Soon!"

Ten other Germanic print shops formed on Madison Avenue beginning in the Fall of 1881. All ten produced playbills for theaters throughout the Eastern seaboard. That winter, John David Rockefeller Jr. reached out to Ogilvy and requested he begin publish nude photographs of Vaudeville "whores" on card stock. Rockefeller distributed those photos to venders at Coney Island's amusement park, and street vendors in Chicago, Atlantic City, Saint Louis, Cleveland, Baltimore, and Buffalo New York. They became known as exhibition photos or exhibit cards.

Most of the maidens originally photographed fro those exhibition photos were poisoned with narcotics that resulted in amnesia. Some of those maidens were sexually abused during the photo sessions. By 1889, many of those exhibition photos began to feature graphic sex acts.

That same year, a Harper Collins subsidiary known as Harcourt published a bound tabloid they called a gazette. That gazette was named Smut and featured photographs of graphic sex acts with grotesque still captions.

Every New York publishing house followed suit and by the end of the century hundreds of titles were in existence. Wall Street Bankers referred to these publications as rags, and they preceded to distribute those tabloids West by rail as they had with the first exhibition photos.

PORNOGRAPHIC MAGAZINES

During the 1930s, the North American Publishing Association expanded their operations into Los Angeles. This decision was made on the council of a Bratva underboss named James Woschevski.

Wochevski sold the New York Bankers Union and the British Bankers Union on the "glamour of Hollywood" and film's ability to "drive women crazy." In combination, both bankers guilds fronted Wochevski $10MM BPGS to start a publishing empire designed to "identify and target" vestal virgins throughout North America.

In 1933, Wochevski, James "Gandolfini" Preston, and their Bratva associates preceded to force the proprietor of a well run New York newspaper known as the New York Evening Enquirer to sell his business by threatening the proprietor's family with "extinction." Wochevski purchased Gandolf Publishing PLC for $100.00 USD, renamed the company American Media Incorporated, and relocated the company to Reno City, Nevada.

American Media Incorporated produced eight Hollywood tabloids during the 1930s and 1940s. Six of those tabloids featured seminude maidens who had appeared in at least one Hollywood film, one of those tabloids featured seminude maidens as young as four years old, and one featured Hollywood actors who performed sex acts with other men for money.

In 1947, American Media Incorporated started publishing magazines featuring black and white photos of Hollywood actresses in risqué outfits and provocative poses. Provocative storylines accompanied the photos and salacious titles headlined the covers. Juggs was the first title featured and Wochevski's mother Clara appeared on the cover under the name Betty Page. Hollywood executives referred to these magazines as spanks.

In 1953, a UCLA student named Hugh Goodmont received $10MM USD in cash from the Sun Trust Bank Corporation to begin publishing Playboy Magazine. Goodmont dropped out of college after interning with the Planters Nut and Chocolate Company. Sun Trust's principal partner told Goodmont about Norma Jean Baker, gave Goodmont her address, and Goodmont stalked her to Manhattan.

Goodmont poisoned Ms. Baker's water with narcotics, took her back to his apartment, undressed Ms. Baker, and photographed her without her consent. He paid Time Life Publishing $1,100 USD in cash to draft a publication and print the magazine. Goodmont used the name Hefner and named himself the editor of the magazine. He stole the silhouette of the bunny rabbit displayed in Playboy's masthead from Ms. Baker's purse the same day he took the photos.

More than 1000 catalog-grade magazines with fully nude pictures have been published since Playboy debuted. Many of these have included vestal virgins abandoned by their fathers who were lured into taking their clothes off by trained grifters. Oftentimes these maidens were forced to perform sex acts before or after the photoshoots.

PORNOGRAPHIC FILMS

During the mid-1960s, the Holy See commissioned the creation of adult book stores throughout North America through the Wall Street Bankers Union and the British Bankers Union. A prefect by the name of Michael Hutchinson championed this initiative. In total, more that 10,000 stores offering sex toys, hardcore catalog-grade pornographic magazines, were established before digital era. Today, more than 2,000 still exist.

Toward the end of the 1960s, a handful of feature films debuted in X-Rated theaters in Chicago, Los Angeles, San Francisco, Portland, Seattle, Houston Texas and New York City. These theaters were preceded by underground films produced by the same Gypsy caravans that distributed pornographic materials during the Napoleonic Wars. Those films were sold to wealthy clientele that practiced witchcraft and dabbled in the occult. Within North America, the Astor family, the Carnegie family, and the Douglas family, and the Roosevelt family financed most of these films.

The pornographic films that debuted during the late 1960s and early 1970s were first financed by the Hollywood Screen Actors Guild. Those films included such titles as Behind the Green Door and Debbie Does Dallas. SAG's officers laundered money used to produce these films through the North American Publishers Association and Paramount Pictures executives supplied the film and editing equipment.

The North American Publishers Association lured women into these films through advertisements in Hollywood-focused teen publications like Tiger Beat, Heartthrob, and Madam Moselle. Many of the ads were for Barbizon Academy. Teens submitted their photos to the William Morris Talent Agency through these advertisements and Paramount executives selected women for these films based on the photos. Paramount executive Howard Hesseman called the casting effort "a bonanza".

In 1977, SAG's Investment Steering Committee invested $100,000 into a Sony research and develop project known based on the success of their "blue light film" investments. That research and development project created the Betamax VCR.

After Sony released the Betamax, the seven member companies of the the Wall Street Bankers Union each formed video companies with the purpose of "creating pornographic home entertainment." The William Morris Talent Agency Supplied casting agents to each of these companies. Between 1981 and 1989, these seven casting agents produced and directed every pornographic home video financed by the seven banks that formed the North American Publishers Association.

In 1989, Boxtell PLC purchased four of the seven publishing houses from the Wall Street Bankers Union for $107 Billion USD. Those four publishing houses included Harper-Collins, Random House Publishing, the Rand-McNally Corporation, and Crown Publishing. The deal was managed by Brown Brothers Harriman & Company and authorized through the United States Federal Reserve.The United States Federal Reserve never provided paperwork detailing the terms of the deal.

Boxtell PLC's purchase included the rights to all seven pornographic video production companies and their production catalogs. Boxtell PLC is the parent company of Comcast Communications, Verizon PLC, and the Walt Disney Company.

In June of 1990, Boxtell's Board of Directors agreed to allow independent film companies licensed within the state of California to "apply to rent" video and editing equipment belonging to the North American Publisher's Union for "X-Rated video production" through Gannett Communications.

As part of this deal, 13 Gannett Communications television executives agreed to sublet their homes to independent film companies that met Boxtell's requirements. Gannett Communications San Diego affiliate agreed to "provide studio access" to these companies as part of the deal.

Today, more than 300 pornographic videos a day are filmed using the film and video equipment belonging to Boxtell PLC. Some of those videos are distributed through retail outlets throughout the world. Each of those videos is distributed through Boxtell PLC's eleven "digital distribution networks" including Pornhub, Naughty America, the Brazzers Network, , Vivid Entertainment, and 13 closed-captioned video networks. owned and operated by Comcast Communications.

Comcast Communications 13 closed-captioned video networks provide 7-second live teasers to men and women that visit one of any of seven sites owned and operated by the Russian Federation. The women featured in these seven second teasers perform live sex acts for their audience. Each of these women is a mother or a daughter of one of the mothers that agreed to perform live sex acts for their audience. Most of those daughters are under the age of seventeen.

Boxtell's PLC's Brazzers Network deploys pop-up videos that feature maidens that are held for ransom. Each of those maidens is abducted from North American coffee houses they patron alone. Bribed coffee house workers notify local street gangs when vulnerable maidens enter and Special Agents within the Federal Bureau of Investigations coordinate the abductions. Cosa Nostra soldiers that work for A.T. Kearney's Managing Board of Partners pay for the abductions.

Maidens held for ransom are forced forced to remove their clothing on camera at gunpoint. An audience member that "buys a bitch" instructs them on what to do. Afterward, the abducted maidens are poisoned with narcotics that create amnesia. These maidens are dropped off at schools run by the American Nurses Association and given instructions to enroll. The American Nurses Association holds a minority voting interest in Boxtell PLC.

Author: Erik Gagnon - Chi Rho Consulting

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Racketeering and Occult Activities Within the Hollywood Screen Actor's Guild

4/24/2024

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"This is what the Lord says:

'I will also destroy the idols And make the images cease from the source. And there will no longer be a prince in the land of the pharos; And I will put fear in the land of the pharos.'"
---Ezekiel 30:13

In 2012, the Hollywood Screen Actors Guild restructured. The AFL-CIO affiliate was under investigation by INTERPOL for racketeering at the time. On paper, the union folded. In truth, A.T. Kearney's Managing Board of Partners merged SAG with the American Federation of Television and Radio Artists. Today, the ninety-one-year-old union is known as the Screen Actors Guild-American Federation of Television and Radio Artists (SAG-AFTRA).

SAG-AFTRA's roots trace to the Associated Actors and Artistes of America (AAAA). Formed in 1919, AAAA was the AFL's third union and encompassed stage performers and circus acts. Today, SAG-AFTRA has over 150,000 members. Each of those members pays a "trial membership fee" when they first perform on radio or appear on film. The trial membership fee is standard within every radio and film contract.

By definition, radio appearances include broadcast performances and commercial voice overs. Film appearances include television acting performances, feature film performances, and commercial appearances. Guest appearances on radio are not considered broadcast performances, and celebrity appearances on television game shows or talk shows are not considered television acting performances.

The AAAA guild was originally formed by eleven silent film actors for the "common purpose of revenue sharing." In 1927, ten Hollywood producers were allowed to join the guild. All ten became silent partners within the guild and established what was called the AAAA's "retirement and pension savings plan." Seven of the ten producers were tied to Cosa Nostra.

SAG-AFTRA has never offered a retirement program and AAAA abandoned its pension plan when it restructured and became the Hollywood Screen Actors Guild in 1933. Today, there are seven levels of membership within the guild and the top three engage in revenue sharing. The bottom four levels are excluded.

Every member of SAG-AFTRA's top-two levels engage in occult practices as do some members within the third level. These activities have been going on since the guild restructured in 1933.

MOVEMENT WITHIN THE GUILD

Graduation from the bottom level to the sixth level requires "cameo billing". Cameo billing includes mentions in Hollywood press sheets or theatre bills. Press sheets are the promotional materials television production companies distribute to media outlets before the start of every season. Theatre bills are the advertising posters and lobby cards film studios produce to promote feature films.

For radio performers, graduation from the sixth to the fifth level requires performance as a Disc Jockey, Talk Show Host, or Studio Performer on one syndicated radio station at least one time per week. XM satellite stations are considered syndicated radio stations.

For actors and actresses, graduation from the sixth to the fifth level requires an appearance as a recurring character in at least three television series or three feature films. Combinations are allowed.

For radio performers, graduation from the fifth to the fourth level requires performance as a Disc Jockey, Talk Show Host, or Studio Performer on two or more syndicated radio stations. There is no movement for radio performers beyond the fourth level.

For actors and actresses, graduation from the fifth to the fourth level requires "star billing" in at least one television series or feature film. Star billing is defined as a featured lead in a television series or a feature film. Supporting characters that appear regularly on television series meet the "star billing" requirement. Actors and actresses are required to meet the level five requirements before they are admitted into level four.

Level three requires nomination for an acting award by the Motion Picture Academy of Arts and Sciences (an Oscar) or nomination for an acting award as a recurring character by one of the three associations that present the Emmy Awards. Actors and actresses must meet the requirements must meet the level five requirements before they are admitted into level three.

The second level two includes Hollywood producers that have directed films they themselves produced. Each of the ten producers that were admitted into the AAAA in 1927 eventually directed films they themselves produced, and that set the standard for future inclusion within the Hollywood Screen Actors Guild. There are presently 400 producers/directors within the Guild.

SAG-AFTRA's top level is reserved for actors that have received star billing in at least ten feature films. Actresses do not qualify.

SAG-AFRA'S DUE STRUCTURE AND REVENUES

SAG-AFTRA'S dues structure increases at every level and "trial membership fees" are included in every contract. That fee amounts to $100.00 USD and applies to every radio and television contract. Radio performers that provide "voice overs" and actors and actresses featured in commercials are charged this fee every time they appear on set to complete a "bundled performance".

Extras that appear on film are not charged this fee. That said they do sign a release form and SAG-AFTRA does charge them a $25.00 USD appearance fee for an affidavit that testifies they appeared on film. These affidavits are meaningless within the industry.

The Cine and TV Artistes Association and The International Federation of Actors are both offshoots of SAG-AFTRA. CINTAA is comprised of actors and actresses from India's film and television communities. IFA is comprised of actors and actresses from around the world and has received grants from the Saudi Arabia's Saudi Film Commission since 2013. Both guilds are structured along the same lines as SAG-NAFTA.

SAG-AFTRA and its affiliates generated over $3.5 Billion USD in gross revenues in 2022. Membership fees accounted for 57% of those revenues, speaking fees for 23%, and government grants for 20%. More than half of the speaking fees were paid for by government lobbyists.

SAG-AFTRA pays 25% of its total revenues to its parent organization the AFL-CIO and 10% to A.T. Kearney's Managing Board of Partners. A.T. Kearney is a Cosa Nostra front company. After kick-backs and administrative expenses, SAG-AFTRA's net revenues totaled $1.26 Billion USD in 2022.

SAG-AFTRA's first, second, and third membership levels allocate one-third of their revenues to investments. Most of those investments are in film or entertainment and a few are in tech-related industries.

The MeWe social networking application and the Zoom video conferencing service both received seed capital and mezzanine financing through SAG-AFTRA. SAG-AFTRA did not report the investments to the SEC and both companies billed the investments as earned income. Sgroupies Inc. and Zoom Video Conferencing Inc. both later received bridge loans from investors. Both reported SAG-AFTRA's investments to those investors as revenue earned through consulting fees. MeWe is Sgroupies Inc.'s registered trade name.

SAG-AFTRA's administrative expenses account for about one-thirtieth of their net revenues. The guild's officers split the rest of the revenues up amongst the members within their first, second, and third levels.

OCCULT RITUALS WITHIN THE GUILD

SAG-AFTRA has less than 1000 first level members, 400 second level members, and less than 10,000 third level members. At least once per month, every first and second level member participates in occult rituals including sacrificial killings. These rituals have included orgies, human torture, the drinking of blood, and beastiality. The sacrificial killings have often include sons and daughters under the age of four abducted from their mothers and fathers.

Every SAG-AFTRA third level member has been invited to participate in these rituals. Most have refused and some have agreed.

Women that refuse have been poisoned by peers or members within the first and second levels that did participate. Those poisonings often included chemicals that produced amnesia. None of the men that refused have come forward and testified about what they witnessed and none resigned from the guild.

The rituals often take place at Playboy mansions throughout the world. On occasion, that take place within the homes of men and women that financed films produced and directed by SAG-AFTRA's tier two members. Gloria Vanderbilt and Bernard Menke both hosted such rituals.

Hugh Hefner's estate operates the Playboy mansions. There are seven in total. A slew of women are held within these mansions against their will and most are forced to prostitute themselves. All seven properties beliong to the Saudi Royal family.

Author: Erik Gagnon - Chi Rho Consulting

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ITUNES and Spotify Are Costing Music Artists Money

4/18/2024

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"Render unto Caesar what belongs to Caesar."
---(Matthew 14:7)

ITunes charges a $5.00 USD monthly fee per album for every artist that posts to their sight. Spotify charges a $1000.07 USD annual fee to every artist. Both sites are costing artists that wrote and recorded their music thousands of dollars annually.

Apple Music pays artists one tenth of a penny ($0.001) for every song that is played in full. Songs that are paused or stopped are paid nothing. On average, the top 1000 artists receive $100.75 USD per month. The top 1000 artists generally have seven full albums available in their portfolio. This means that the top 1000 artists on ITunes are receiving $0.25 per month per album.

ITunes pays artists $1.00 USD per month for every complete album their customers pay. On average, customers if the top 1000 artists complete slightly more than 11 albums per month.

Unlike ITunes, Spotify highlights five to ten songs in an artists portfolio. Spotify PLC pays the artists nothing when the highlighted songs are played. On average, Spotify pays its top 1000 artists $0.0876 a month for every completed album.

Without factoring in design, a basic website with retail capabilities can be maintained for $70-$250 USD per year. The variance in cost depends on the features used on the site. The most popular website builders are simple to use, Anyone with an artistic flair willing to spend three to seven days can build a site to their liking. The most popular web builders have several built-in templates and the templates can be greatly modified with little effort.

If the top 1000 artists were to build sites on their own and sold 2 albums per month at $11.00 USD an album, they would earn more on their own than they do with ITunes or Spotify. This assumes a $160 USD cost to maintain the site. For busy artists, professionally designed seven page site that includes a home page, a bio sheet, album notes, a retail portfolio, an appearance schedule, a blog page, and a contact form can be build for a one-time fee of $1100-$3000 USD.

Only one of the top 1000 selling artists on ITunes and/or Spotify controls their master recordings. Master recordings are the songs that appear on the albums record companies produce and market. Digitally recorded songs played through ITunes, Spotify, and radio stations derive from master recordings.

910 of the top 1000 artists on ITunes are presently bound by 360 Deals through their album labels or their record companies. 971 of the top 1000 artists on Spotify are bound by the same. On average, the originators of these contracts and the record producers that negotiated the deals keep 71% of the revenues from these artists master recordings.

On average, the originators of these contracts and the record producers that negotiate the deals also keep 57% of the revenues generated through appearance fees. They rarely do more than place five to seven phone calls to book the appearances.

A music artist's portfolio is considered intellectual property. Intellectual property can be bought or sold. By right, intellectual property owners must relinquish intellectual properties they sell in full to complete the sale. Record labels, album producers, and outside investors that purchase master recordings and use the original artist or artists name to promote intellectual properties they have purchased violate the terms of the sale.

Record labels and album producers that redistribute intellectual properties to other artists and fail to mention the name of the original artist or artists when the intellectual properties appear are also in violation of the terms of the sale. The originators of the intellectual properties have the right to take the artists, album producers, and record companies that violated international property laws to court and have their intellectual properties returned.

The same holds true for artists that originate screenplays and for novelists that have had film or theatre adaptations made from intellectual properties. Original screenplays that make it to theatre are often redressed as many as seven times. Original screenplays that make it it television are often redressed as many as eleven times.

The New York Times list of the 100 greatest novels ever written have appeared in theatre adaptations an average of 111 times. They have also each appeared in film adaptations more that 1100 times and in television dramas more than 111 times.

Novelists and screenwriters are rarely credited when adaptations are made of their works. By right, artists that copy their works are required to mention the name of the originating artist before they begin their adaptations and surrender 10% of the revenues they generate to the original artist.

Author: Erik Gagnon - Chi Rho Consulting

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Arcades, Amusement Parks, and Software Distributors Are Culpable of Gross Negligence

4/18/2024

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"One who separates himself seeks his own desire;
He quarrels agains all sound wisdom.
A fool does not delight in understanding,
But in reveling his own mind."
---Proverbs 18:1-2

Strategic Simulations Incorporated was the first video game company. Three British RAF Radar Intelligence Officers started the company and were contracted by the United States Military in 1947 to create launch sequence simulations for Soviet bloc nuclear arsenals. The movie War Games is based on the tools they developed.

After the Bay of Pigs Invasion, SSI Incorporated lost their government contract. Afterward, two of the three RAF Radar Intelligence Officers that started the company turned their attention the consumer market and created a subsidiary the called Colleco. The other worked with Pakistan to develop weapons for Indochina.

Colleco was conceived to manufacture pinball machines. The two RAF Intelligence Officers that started Colleco stole the patent name "pinball" and trademarked the name. Colleco Holdings Incorporated reported earnings of over $11MM dollars during the first seven years of operation. Most of the revenues their machines generated were never reported.

In 1971, The RAF Intelligence Officer that worked with Pakistan's to develop weapons for Indochina rejoined the company to form a subsidiary called Activision Television Incorporated. That subsidiary created the first "Home Video Entertainment System" with money the three stole from the British Commonwealth's Treasury.

HOME VIDEO ENTERTAINMENT SYSTEMS

Activision Television Incorporated released seven games into the market through Hobby Lobby PLC's KB Toys during Purim of 1972 without a console. KB Toys placed posters of a Lego model the three RAF Intelligence Officers fashioned to resemble a console throughout KB Toys stores. The posters were captioned "Coming Soon!" The three RAF Radar Intelligence officers airbrushed proofs of the posters and stenciled a vagina onto the console's circuitry system. The consoles themselves were not produced until 1974.

To stave off lawsuits, the three RAF Intelligence Officers created a third company they called Atari Entertainment Systems Incorporated. The three RAF Intelligence Officers presented Atari as an Activision competitor to investors and made no mention of their involvement with Activision. The three received $11 Billion USD from Goldman Sachs to begin operations.

During Haunkkah of 1974, the three once again released software without a console through KB Toys and KB Toys' subsidiary K-Mart Stores PLC. This time however, they packaged the software with a license agreement promising customers a "subsequent series of software titles" at no cost. The license agreements were patterned after "user agreements" one of the three included with Sylvania Lightbulbs one-hundred fifty years before. Atari's console wasn't released until 1977 and the one that was released wasn't operational. It took another full year for the RAF Intelligence Officers to deliver a working console.

To stave off lawsuits, the three promised customers "free Sony televisions for a guaranteed lifetime". Atari made that promise through 30-second television commercials that aired on Gannett Television Broadcasting Systems syndicated broadcast affiliates.

Colleco began selling additional games for its console during Rash Hashanah of 1974. Those games included a copy of the software license agreement Atari offered under the Collecovision Systems Incorporated PLC. All eleven of the games Colleco distributed were developed by SSI.

In 1979, the three RAF Radar Intelligence Officers that started SSI partnered with seven former United States military officers to form Activision Software PLC. Activision was started to develop gaming applications for IBM's four home computer systems including the IBM Cobalt, the Commodore 64, Texas Instruments Vic 20, and Hewlett Packard's Horizon PC. The first title Activision produced was a pornographic adventure series called "Leisure Suit Larry." That title was also released with an ad infinitum prommisory agreement.

Leisure Suit Larry's prommisory agreement "entitled" SSI Incorporated's customers to "ten future games at no cost" and "guaranteed free delivery" of "future releases" of Leisure Suit Larry along with ten unnamed software titles. SSI Inc. never fulfilled their obligation and in fact filed for protected bankruptcy status (Chapter 11) after seven different class action lawsuits were filed.

In 1987, the three RAF Intelligence Officers that started SSI forced an artist that trademarked the name "Electronic Arts" into bankruptcy. They later chloroformed her, stole her assets including a Fort Lauderdale apartment, turned the apartment into a restaurant, and sold the artist to Alan Thicke Entertainment PLC for $11,000.07 BPGS. Alan Thicke Entertainment PLC used that artist to create the promotional materials and the sets for over 700 different television series. She also appeared in one of those series.

That same year, SSI hedged $11MM BPGS with Alan Thicke Entertainment. The $11MM were revenues gained through football and baseball simulations they stole from Roberto Clemente's sports board gaming company APBA PLC. The funds were spread across eleven television shows including Growing Pains, Rosanne, Seinfeld, and Everybody Loves Raymond.

Alan Thicke's two principal investors paid SSI Incorporated $11 Billion in dividends (BPGS) for their investment. The three RAF Radar Intelligence Officers that started SSI and seven Former United States Military Officers that started Collecovision started Bally's Grand Casino PLC with those funds.
Bally's electronic slot machines are manufactured by subsidiaries of SSI and are rigged by Collecovision Systems Incorporated PLC to yield a 700% return on what their customers spend on the machines. In their patent filings, SSI Incorporated described those machines as "Amusement Park Adventures" and "guaranteed satisfaction" for "every customer" that used their machines. SSI and Collecovision have failed to deliver on that promise.

PC GAMING AND SMART CONSOLES

The three RAF Radar Intelligence Officers and Seven United States military officers that that started Activision did produce one other game. The title of that game was named Oregon Trail. In 1981, SSI delivered Oregon Trail to secondary schools all over the world through a fourth subsidiary they called SSI Entertainment Systems PLC. That company promised the parents of secondary school students "one hundred future titles" with "no charge for delivery" through meetings arranged by the Parent Teachers Association. Those promises were never fulfilled.

SSI Entertainment's Board of Directors promised teachers and administrators within the association "trial based software" and "computer information terminals" to "operate" the "one-hundred future titles" they promised to produce at "no cost". They in fact formed Microsoft to deliver on these promises. Through the years, Microsoft has been refinanced on three separate occasions. The company is known as Microsoft Incorporated PLC today.

Originally, Microsoft was created to "fulfill the obligations set forth" through SSI Entertainment PLC's prommisory agreements and SSI Entertainment PLC's "wholly owned subsidiaries"'s promissory agreements. In 1993, SSI Entertainment's Board of Directors partnered with A.T. Kearney's seven Managing Directors. All seven of those Managing Directors were and are Cosa Nostra captains.

Those seven Managing Directors drafted Microsoft's promissory agreement. SSI employees labeled these "end user" agreements. Activision's Board of Directors and A.T. Kearney's seven Managing Directors trademarked Microsoft with the British Commonwealth's Patent Office, the World Patent Office, and the United States Treasury. Their obligations were never fulfilled.

Every computer software company outside the United Kingdom is owned in part by the Activision's Board of Directors, some or all of their male family members, A.T. Kearney's seven Managing Directors, and A.T. Kearney's seven Managing Directors mistresses. Those software companies includes ITunes Incorporated, Drumnumb Entertainment PLC, and every software distributor that creates applications for the Macintosh Operating System.

Every software product ever released has included a promissory agreement; most in the form of license agreements. Each of these agreements promises future refinements at no cost for development or delivery. This includes sports titles developed by Strategic Simulations Incorporated's subsidiaries Electronic Arts PLC, Microsoft PLC 's subsidiaries Sony Entertainment Systems PLC, and Pacific Park Industries International PLC. Despite these agreements, these three companies require customers to repurchase entire software packages every year for what amount to incremental updates. They also trespass on these agreements by charging premiums for software add-ons.

Pacific Park industries' subsidiary Creative Assembly PLC conceived of the idea of software add-on's and tested the concept through Pacific Park Industries' subsidiary Valve Corporation. In 1998, Valve Corporation presented the concept to Facebook Incorporated's parent company Meta along with an investment of $11.2 Billion BPGS. Valve Corporation presently owes the British Commonwealth $11.3 Trillion BPGS in back taxes Shelby vehicles it promised to deliver to the British Royal Armed Forces during World War I, World War II, and the Falkland Wars. Pacific Park Industries in fact sank seven ships containing the vehicles they promised and collected insurance through Lloyd's of London.

AMUSEMENT PARKS AND PENNY ARCADES

Pacific Park Industries is the single manufacturer of amusement park "novelty rides" worldwide. The word "coupon" was in fact trademarked by Pacific Park Industries' subsidiary Lakeside Amusement Parks PLC. Coupons were first used with novelty rides and the patent filing promised customers "unlimited amusement for the cost of a penny." The phrase was an effigy to the mechanic that patented Shelby Vehicles drive train, the drive trains of over 10,000 amusement park "novelty rides", and the framework for the vehicles themselves.

Under the trademark agreements filed with the British Commonwealth's Patent Office, the World Patent Organization, and the United States Treasury, coupons issued by Pacific Park Industries, Pacific Park Holdings, and its subsidiaries guarantee every coupon holder "no cost reentry" to "amusement parks worldwide" and "unlimited use of the facilities".

The patents for riflery, golf, batting, climbing, and pottery "practice theatres" are held under this trademark agreement. Pacific Park Industries has been refinanced seven times. Contradictory to the terms of their patent filing, the company requires customers to repurchase coupons to revisit their facilities beyond the date of original purchase and fails to honor their promissory agreements.

The same is true for Pacific Park Holdings' 11,007 penny arcades located throughout the world. Within their patent agreements, penny arcades are defined as "venues for entertainment owned or operated by Pacific Park Holdings. Pacific Park Holdings is a subsidiary of Pacific Park Industries and its subsidiaries includes the subway systems in Montreal, London, Paris, Moscow, New York, San Francisco, Tokyo, and throughout Brazil.

By definition, casinos that "employ games of chance" are considered penny arcades and require no more than "a tolken" to "play unlimited games of excitement." A Pacific Park Holdings subsidiary called Pathway Industries PLC holds a patent on lottery systems including the ones run by governments, and these too are consider "novelty amusements" according to the terms of their patent filings.

Both SSI and A.T. Kearney have a stake in every lottery and casino throughout the world and both are represented hold Pacific Park Industries Board seats.

The NHL, NBA, MISL, NFL, THE NCAA, AND THE IOC

Pacific Park Industries begat the American Hockey Association, the American Association of Autotomic Univores, the Main International Soccer League, and the National Football Association. The coupons for all four associations were renamed "tickets" by employees of AAAU, the NFA, and the MISL. Employees within the AHA renamed the coupons "passes".

The AHA renamed itself the National Hockey League in 1921, the NFA renamed itself the National Football League in 1933, the AAAU renamed itself the National Basketball Association in 1948, and the MISL formed seven subsidiaries around the world beginning in the 1950s. By right, tickets to NBA, MISL, and NFL events or the events of their subsidiaries guarantee "unlimited reentry to league venues during business hours" at "no additional price" ad infinitum. The same is true for NHL passes. These promises have never been fulfilled.

The National Collegiate Athletic Association is in fact a subsidiary of the AAAU. So too is the International Olympic Committee. The venues used to host International Olympic Committee events are held in trust by the NCAA and are defined as "amusement parks" through patent agreements filed with the British Commonwealth, the Worldwide Patent Office, and the United States Treasury. Coupons issued by the NCAA and the International Olympic Committee named "field passes" by NCAA and IOC members who solicited athletes for sex.

By right, NCAA and International Olympic Committee coupons allow customers to attend "open gala events" whenever the NCAA or the IOC conducts business. Every event "produced or published" is defined as an "open gala." NASCAR, La Mans, the PGA, and the USTA are held in trust by the IOC. Greyhound Racing International, Indy Car Circuit Racing PLC, and the National Thoroughbred Racing Association are held in trust by the NCAA.

By right, the distributors of every computer software application ever sold are bound to supply their software titles to customers at no cost for maintenance or delivery until their customers deem the software defunct. By right, they are required to refund customers tenfold for subsequent titles their customers purchased with like content.

By right, Microsoft PLC and its subsidiaries are required to provide "fully functional" computer terminals annually to their customers at the cost of materials and with no cost for delivery. The operating systems and trademarked applications distributed by eleven of Microsoft's thirteen subsidiaries all have the same license agreements. Those license agreements are filed with the British Commonwealth's Patent Office, the Worldwide Patent Office, and the United States Treasury.

Microsoft PLC's other two subsidiaries (ASYS Computer PLC and Samsung Sun Life PLC) use the same agreements and include an ad infinitum replacement guarantee except in cases of "fire, theft, and acts of nature.". Neither company has adheres to the terms of their prommisory agreements.

Google Corp. PLC's parent company Alphabet PLC is a wholly owned subsidiary of Samsung Sun Life PLC. Under their patent filing, Alphabet PLC's products are licensed as "shareware." Alphabet PLC trademarked the word shareware and defined shareware as "applications at no cost or no expense to customers who register." Every customer who has ever visited Alphabet PLC's Google Search Vehicle has in fact registered with Google. Google tracks and records their IP address.

By right, ASYS and Samsung Sun Life are obligated to supply "replacement computers without delay" ad infinitum at no cost for delivery as specified in their patent filings. Activision's Board of Directors, the seven former United States military officers that formed Bally's Grand Casinos, A.T. Kearney's seven Managing Directors, and thirteen current members of the British House of Lords presently hold ASYS in trust and hold Samsung Sun Life PLC's Board seats.

Apple Corp. is in fact a subsidiary of Sun Life PLC, and Apple computers were excluded from this agreement. iPhones and iPads were trademarked as Apple Computers.

Author: Erik Gagnon - Chi Rho Consulting

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